In Air Mending

greenlander

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Sep 9, 2006
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I read a good deal about in-air mending in Gary Borger's new book, and would like to put some of this into practice. I haven't gone out to practice some of these casts/mends in a field, although I should.
However, I find that fishing on smaller PA streams, I don't feel I have much of an opportunity to employ these types of casts.

Is this my poor casting, or do 15-25 foot casts often with no opportunity for a back cast make in-air mends tough or impossible to perform?

Often, when I am able to allow a full back cast, it is casting up or down river ... which sort of takes you out of a typical mending situation.
 
The shorter the cast the more effective an in air mend will be. An in air mend is really just pointing the rod in a different angle after the forward push, extending the casting arm and laying the line down away from where it would normally land. With a shorter cast you will be moving a greater percentage of the line involved.
 
greenlander wrote:
I read a good deal about in-air mending in Gary Borger's new book, and would like to put some of this into practice. I haven't gone out to practice some of these casts/mends in a field, although I should.
However, I find that fishing on smaller PA streams, I don't feel I have much of an opportunity to employ these types of casts.

Is this my poor casting, or do 15-25 foot casts often with no opportunity for a back cast make in-air mends tough or impossible to perform?

Often, when I am able to allow a full back cast, it is casting up or down river ... which sort of takes you out of a typical mending situation.

Although I think I agree with shortrod as a general rule, I think your last two paragraphs say a lot. Not the part about the poor casting though.;-)

I'm no casting expert and not good at mending, so take any advice from me with a grain of salt.

If you are talking very small stream or a confined area where you can't even back cast, I think in-air mend is impractical or ineffective, if not impossible. I'm having trouble picturing much of a in air mend with a roll cast.

And I agree that a cast straight upstream or down does take you out of the mending situation. At least it does for in air mending.

I've also watched guys who appeared to be just mending for the sake of mending. They must have seen it on a video or something and thought it was required.
 
I think most fly fishers use aerial mends whether they know it or not, probably just develop their own style on getting the fliees to the fish, unless they were professionally taught.

I probably use some hybrids of them.

Here is an article on some:

Presentation Casts

This article gives an overview of the most common presentation casts, how to perform, and when to use them. The title is slightly deceiving, since many of the techniques discussed here are actually mends, not casts. The difference is purely academic and I won't bother differentiating here. The fish don't care and neither should you.

In fly fishing we generally want to present the fly in a manner as close to the natural as possible. Naturals, however, don't have a long string tied to them. In moving water, current pulls the line, which in turn affects the movements of the fly on the water; this is called drag. Drag is generally undesirable, so there are a number of techniques which strategically place slack in the line and thus minimize the affects of drag.

A quick word about slack line. The more slack in the system, the more difficult it is to set the hook properly. This means that you want the minimum amount of slack you can get away with to get a drag free drift.

These casts are more-or-less organized in order of difficulty.

Pile Cast
The most basic slack line cast is the Pile, or Puddle, Cast. To execute the Pile Cast, make a low back cast and a high forward cast. Immediately after the stop, rapidly lower the rod tip to water level. The line should land in a large heap in front of you.

This is a great cast in back eddies, swirling, or otherwise complex currents where lots of slack and not a lot of accuracy is required.

Advantages: Easy to execute, lots of slack.
Disadvantages: Poor accuracy, difficult to control in wind.
Wiggle Mend
To perform the Wiggle Mend, move (wiggle) the rod tip from side to side after the final forward cast stop. The larger the movements, the larger the wiggles will be.

This is something of a catchall presentation cast because it works in many situations. You can be reasonably accurate and put a lot or a little slack in the line for a variety of different currents.

Advantages: Simple, reasonably accurate.
Disadvantages: Slack is not targeted, can be difficult to achieve distance.
Reach Mend
To perform the Reach Mend, simply move the rod 90 degrees to the cast after the final forward cast stop, while allowing slack line to slip through your fingers, then you may return the rod to it's normal forward-pointing position or follow the speed of the drifting line with the rod tip. You can do the mend just fine without slipping line, but it makes it more difficult to place the fly accurately.

Use this cast when standing close to an interferring current while fishing in slower water on the other side (mend upstream), or when standing close to slow water fishing in faster water on the other side (mend downstream).

Advantages: Moves a lot of line, can provide a long drag-free drift, accurate.
Distadvantages: The slack may be placed only at close quarters.
Aerial Mend
The aerial mend is one of my favorite presentation casts. To execute, move the rod tip briskly to one side and back directly after the final forward cast stop. The sooner after the stop you make the side-and-back movement, the farther out the mend will be. Keep in mind that the farther the mend, the more power required during the initial sideways motion.

This is a great presentation cast because it can be very accurate in fly placement, slack placement, and amount of slack. Use this whenever you need slack in a particular place, as when casting over a current to slack water (mend upstream), or when casting across slow water to fast water (mend downstream). Want to get really fancy? Try putting slack to both the right and to the left in different places.

Advantages: Only the slack you need only where you need it.
Disadvantages: It can take time to get the timing down, difficult to place slack near the leader.
Bucket Mend
To perform the bucket mend, move the rod tip up, then down a few moments after the final forward cast stop. This is like a vertically-oriented aerial mend.


This is a great technique for downstream drag-free presentations or whenever you need a lot of slack in one small area, like small back eddies.

Advantages: Lots of slack in a small area.
Disadvantages: Difficult to place slack accurately.

 
I've always used in-air mends, curve casts, and the like. I did add a new one, though, after learning from Old Lefty at the newbie jam. I don't know what its name is, but I'll describe it as a "bump" cast, where you just bump your arm out on the forward stroke, then back to your regular stroke and finish like normal. It leaves a little bulge in the line, and if I time it correctly, you can set that bulge over a current and get an effective aerial mend. Timing is tough, though, and no, I'm certainly not capable of doing it on short casts where you have little to no fly line beyond the tip. It's fairly accurate, and you can put the slack only where you need the slack and not have line everywhere.

But yes, I do employ curve casts in the brush. A curve to the left is a lot easier for me than a right curve. A curve to the left is simply dropping to sidarm or 3/4, and overpowering the cast, and stopping short (thats my move!). The line straightens out in the air and then hooks to the left, and you don't need much line out to do it. A curve to the right is tougher, especially in brush. Mine is just a cross body cast and severely underpowered, like a slack line cast. The open loop makes it almost useless in brush, but useful for getting good drifts in more open surrounds.

I also do reach casts. But most often, I simply mend as the fly's hitting the water, either just before or just after. I often move the fly a little at first, but end up with a good drift afterwards, and I think that initial movement often actually attracts fish.
 
Aerial mending (in-air mending) allows the caster/fly fisher to place controlled slack in such a manner as to provide for the best possible drift/presentation. I believe that the fly fisher who masters aerial mending is in a position to deal most effectively with a wide variety of fishing scenarios.

Aerial mending has nothing to do with a backcast. It is a movement of the rod after the stop on the forward/presentation cast. This mend is achieved by moving the rod off to the side and, depending on the desired result, back to the original position; hence, the term "bump" as used earlier. With practice the caster can control both position and size of the mend.

Aerial mends can provide an advantage even on smaller water since we experience varying currents on smaller streams just as we do on larger streams.

Some folks consider a reach cast as a mend cast: I don't. A reach cast is a straight line cast. A cast incorporating an aerial mend where the controlled slack is placed for optimum advantage (think pre-cast strategy) can be far more effective.

Dave R.
 
Well stated, now get back to the bench and tie me some flies! The secret ones we talked about. Ha!
 
Saw Gary Borger in Somerset discuss this and was working on this very improvement last week. Dave and others thanks for the additional tips.

My addition to the thread is just practice. I have holding onto some bad habits for long time now and will take some time to change for me.

I too am reading Gary's book and looking forward to sharing more shortly.
 
OldLefty wrote:

Aerial mending has nothing to do with a backcast.
Dave R.

Dave, I think most of us realize that in air mending has nothing directly to do with the back cast. But isn't it a little difficult to do an in air mend when a back cast is not an option?

Maybe it's just me, but I'm having trouble picturing doing an in air mend when roll casting or anywhere that you can't make a back cast.

Please enlighten me.

 
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